Chapter One
BEHOLD A COSMOGONY
The purpose of cosmogony is to depict how the world is
designed: It illustrates its first originating form, growth stages, and
prospects. Simply put, cosmogony is a geometrical depiction of how a would-be world
like ours could have taken rise, particularly its (2-D) two-dimensional space,
all outlined on a piece of paper such as the one you are looking at. However,
our cosmogony model is peculiar. Its peculiarity is that it uses the 2-D
cosmogony to substantiate the (3-D) three-dimensional form of space — our world
is surely not a 2-D but a 3-D world.
In this context, we must consider the bottom line of a 3-D
world, and when we do, we ought to realize that it must be the geometric
configuration of SPACE within which we exist and see the light.
In the realm of cosmogony, the interplay of space and light
is a fundamental concept. Imagine being in a dark place where space seems to be
non-existent. But once you turn on a flashlight, the light rays illuminate the
space before your eyes, making the space inside your room apparent. This simple
scenario illustrates the inseparable relationship between space and light. If
hypothetically speaking, there was no space for the light to permeate, then the
light would have been of no use because it would be blocked and have no room to
fill. Space and light, for that matter, are instilled one in the other in the
sense that there could be no light if there were no space first to permeate
through.
According to the saying, "First
things first," the first step in creating a world like ours is to create
space itself. Only when space has existed would it allow planets, stars, and
all other things and living creatures to exist within it. Cosmogony starts
first with the two-dimensional geometric form describing how space was
conceived and what the design model on which it must have been based could be.
Therefore, it must be considered the first step in developing a comprehensive
spatial model that could, in a second stage, substantiate how a
three-dimensional space could have originated (from that two-dimensional model),
how it evolved, and what it will ultimately be disposed to become once ‘Time’
is fulfilled and reaches the end. At this point, I must mention that, in the
end, time will stand still because its ultimate purpose is to pinpoint the
beginning of an event and to determine its end, i.e., the beginning and the end of the Big Bang, the Great Cause of our
physical reality.
Physicists have theorized that the Big Bang was the “energy-matter
event” that produced all the existing matter; however, they overlooked explaining
what medium the matter had taken place within. The assumption that space
was readily available to grant a place for the new primordial matter/ plasma to
settle down and synthesize into the different elements is lamentable, according
to the book's author. Although the assumption is that space is empty or void,
such an assumption can only be a travesty of logic; space must exist before it
can remain empty and available so as to host the matter in its midst. We cannot
rightly say that, for instance, a particular apartment is vacant if the
building in which the apartment is supposed to be does not exist. Based on the
above, the first challenge that cosmology must address is to present a feasible
theory on how the universe’s space actually came to be, recognizing two
fundamental premises about the Big Bang. The first premise is that the
Big Bang was the singular event that eventually produced the primordial matter from
which all the existing forms of matter derived. The second premise is
that the primordial matter was all that existed in the would-be world (our 3-D
world), so it could not have instantly found a space to occupy or a place to
make its own because, simply, such space did not exist!
In our understanding, the primordial matter/plasma was
initially opaque to radiation, and it took 380,000 years after the Big Bang to make
the universe transparent. The radiation released during this transition is
still observable as the cosmic microwave background. The author argues that the
universe would not have been opaque and non-transparent to light if not for the
absence of space that would allow light to travel. He reasoned that the
period that elapsed from the Big Bang to when the radiation had started to be
traced was the period space took to be self-erected. Therefore, he sensed
the need for a cosmogony model that begins with a conjecture about how space
first came to be in terms of its possible formative design, on the one hand,
and the triggering force that caused its implementation as such as to become
the physical realm, on the other hand. As he intends to illustrate in
this book, both terms must be interrelated.
Meanwhile, although such exploration can prove captivating,
it would initially seem impossible, considering that if the primordial matter
had no place to “go,” the lack of space would render it useless, and
consequently, the thesis about the formation of the world as presented would
fall apart and the case ought then to be dismissed. However, this is not the
case at all!
When exploring the Great First Cause of our world, we must recognize
that it is peculiar as a case study since it happened only once upon a time,
for real and not as a fairy story. Nevertheless, what seems to us like a
problem was the problem and the solution simultaneously. Mind that the argument
was posed by Thales when he inquired about the ARCHE, which led to (1) acknowledging, a priori, Number One as
abstract and (2) opening the inquiry about the Single Underlying
Substance that needed to be determined, a posteriori in a persisting manner as
long as it takes.
It has taken long, indeed, and now this book settles that
argument. It explores first (1) the ever-intriguing nature of the
“abstract object” of which Thales’ view of the arche had conjectured its metaphysical
existence (of the abstract number one). This book provides the blueprint design
charting how abstract number one’s own existence could be substantiated. Such substantiation
serves, on the other hand, as the substantiation of our world’s own existence,
which is primarily a spatial existence. The blueprint design of space will be
discussed gradually throughout the book, starting from this chapter.
In Chapter Five, the
second aspect of Thales' arche will be addressed, where a conjecture will be
provided about (2) the Single Underlying Substance of the world. This
substance, the author believes, has not only contributed to the physical
reality of space, but it was the inherent force and the intrinsic energy that
triggered the formation process of space, igniting the realization of the blueprint
plan and bringing it into fulfillment. This process is still ongoing, and the
space of the universe is still expanding, and it will continue until a certain
threshold is reached!
The comprehensive and complete model described in this book
emphasizes the natural structure of space as self-evident. It answers what the
human intellect has sought since Thales' time. Amazingly, it has always been
out there, sitting in plain sight: Space itself.